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SHAREAtmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.
Atmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.
Atmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.
Atmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.
Atmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.
Atmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.
Atmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.
Atmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.
Atmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.
Atmosphere The stark hanging lights suspended from the soaring ceiling like falling lasers, and glass skylights hinting at a darkening sky, gave the industrial Chelsea space a dramatic feel, and a set the stage for an impressive collection.
We love Hand drawn designs on translucent fabrics by tattooist Thomas Hooper inspired by the illustrations of Ernst Haeckel.
Music sounds better with … The Rolling Stones made over by Sebastian Perrin.
Behind the scenes Stylist Alastair McKimm did a stellar job of making every look feel fresh and coherent.
Muse The runway looks better with you back on it, Catherine McNeil.









